Payback: An Interactive Movie. Marty McFly is a year-old high school student with a girlfriend named Jennifer and a bad reputation with teachers. Doc shows Marty his custom time machine — modeled out of a DeLorean steel car — and retrofitted with a flux capacitor that runs on plutonium, which Doc recently stole from Libyan terrorists wanting him to make a bomb. The Libyans shoot Doc in retaliation, forcing Marty to escape in the DeLorean — which sends him back in time. Marty finds Doc and shows him the time machine.
Convinced that Marty is telling the truth, Doc hatches a plan to use a massive jolt of electricity rather than plutonium to jump start the vehicle.
Marty introduces George his father to Lorraine his mother — but instead of falling for George, Lorraine falls for Marty. After a series of failures, Marty unites George and Lorraine. The couple kisses on the dance floor, guaranteeing that Marty will one day be born.
Doc and Marty prepare the time machine to send him back to the present. Marty leaves a warning note for Doc. Marty configures the settings on the time machine to go back just a few minutes before Doc is shot.
The DeLorean reaches 88 mph just as lightning strikes the clocktower, powering it through time back to Marty arrives a second too late and Doc is shot again. Marty wakes up the next morning to discover his family is happier than ever before — and that George and Lorraine are still madly in love.
Some of the Back to the Future quotes are among the best quotes of all-time. Dramatic irony is when the audience is privy to more information than some characters are. Since Back to the Future is about a character who goes back in time, we the audience, along with Marty McFly, are privy to more information than everybody in Hill Valley in Back to the Future uses dramatic irony for comedic effect — like when Marty is forced into an incestuous situation with his mother.
You are having a Close Encounter of the Third Kind. First and foremost, this scene is a lot of fun. Back to the Future is a popcorn-thriller, so the primary focus is on keeping the plot moving at a brisk pace. But the use of dramatic irony makes this scene more than just a disposable part of the plot — it makes it an all-time cinema classic.
George takes a slug; he gets up his nerve and approaches Eileen, unaware that he now has a pink moustache. Say, listen, about this dance Saturday night We hear the sound of the door being thrown open, and a familiar voice calls to George. How much money you got on you? Biff stumbles to the floor, careening into a chair. Everyone in the malt shop laughs at him.
He picks himself up and goes over to the stool where Marty is sitting with his back facing Biff. Biff goes reeling backward into a table! Match, Gum and Skinhead face Marty, ready for action! Then one of the kids on the scooters comes by. Marty hops on it and sails off down the sidewalk! Biff and the boys have never seen anything like itnor has the kid whose scooter it was!
Biff stares as Marty whips down the sidewalk. Biff and the gang jump into a convertible parked nearby. Biff peels out and races down the street after Marty! The convertible is mere yards away. He turns again and heads back the way he came! Another car is now coming up from behind Marty. As it passes him, Marty grabs onto the back and hooks a ride! Marty, towed by the car, whizzes past the Malt Shop! The spectators are truly amazed!
Madge turns to Eileen. Up ahead is an intersecting street: Hill Street. Marty lets go of the car and cuts a sharp left onto Hill Street! He overshoots the intersection and has to make another U! Marty picks up speed as he coasts down! Marty zips through the intersection! Cross traffic screeches to a halt to avoid hitting him! Marty whips around the cars and makes it safely across! He slams on his brakes! Marty skateboards casually down the street.
Marty hides behind some bushes and watches. George and Eileen, as George, carrying her books, walks her to the door. He gives her her books and, after an awkward moment, they politely shake hands.
He throws his jacket down on the street and slumps in the gutter, dropping his head in his hands. He looks at it for a long moment, then rips it into little pieces.
He goes through the trash can and pulls out his Science textbook page. Professor Brown is at his desk, again playing back the micro-cassette tape, listening to the section with the gunshots. I don't belong here. I almost screwed up my existence again today while I was trying to put it back together, and I've had enough. I want to go back to the future.
He hands Professor Brown the text book page and points out the caption under the picture of the Mushroom Cloud. If we leave by Saturday night, we can make it to the test site in plenty of time.
And just to be on the safe side, I'd better build a lead-lined time chamber for your added protection. I don't know if I trust these atomic bombs. Yes, I'll tell him George asked her out! He had to! I saw him walk her home! Oh, God!! Why would she do that?
She's supposed to marry the guy! BROWN Apparently, what has happened is that the maternal instinct has transcended the gap of time, and this has caused an alteration in your mother's emotional behavior. And because of that, she's no longer interested in your father. Eileen is sitting at the same table with Madge. Marty and the Professor are listening to the tape. The Time Machine has been loaded into the bed of an Army Truck, and the Professor has been welding sheet lead into a large Philco Refrigerator.
The top of the refrigerator has been modified to accommodate the Beam Focusing Unit of the Time Machine, so the Time Beam will project into the refrigerator. I've never felt like this about anybody before.
I really don't understand it but I just feel likelike mothering him. I thought you wanted him to ask you. You always thought George was cute because he was so shy.
But he really isn't shy. He's just chicken. Hit me in the stomach. Right here, go ahead. Marty makes himself a target. George seems quite unwilling. In the background, a homemade body bag a duffel bag filled with clothes is hanging from a tree. We know you're not a fighter. You know it, I know it That's why we gotta make you look like a fighter, somebody who'll stand up for her, somebody who isn't chicken.
And you're not gonna look like a fighter if you can't hit me in the stomach. Maybe we'd better go over the plan again. Where are you gonna be at ? So right around , she's gonna get very angry with me Don't worry about it. Just remember that at , you'll be strolling through the parking lot and you'll see us Get your damn hands off her! Then you hit me in the stomach, I go down for the count, and you and Eileen live happily ever after. Now, hit me in the stomach. A little hostility, a little anger.
George tries to get himself angry. He makes some faces and throws another punch. I think you're starting to get the hang of it. Just keep practicing. Remember, anger, George. Marty walks off, leaving George with the body bag. He stares at it, trying to make himself mad. He hits it George howls in pain! The Time Machine and lead-lined refrigerator-time chamber are assembled in the bed of the Army truck, as well as the Power Converter and a motorcycle with a sidecar.
What about the chemicals for the Power Converter I'll pick you up in front of the school at midnight. Don't be latewe're cutting it close as it is. We've got a long drive ahead of us. I'm a little worried about thisthis whole thing with my mother. I mean, I don't know if I can do itI mean, hitting on my own mother, that's pretty heavy. You're just going to take a few liberties with her. I mean, a guy and his motherthat's illegal, isn't it?
And if you don't go through with this, she may never be. I know it's hard, but there are some things we must do in life that are unpleasant. Some choices must be made that are difficult. Nonetheless, we must make them. Besides, this may be more than simply a question of your own existence.
The fate of the entire space-time continuum may rest on your shoulders. It could happen at the moment you arrive back in the future Actually, it could happen at any time. It's a question to which I hope we'll never learn the answer. On stage is the band: Lester Moon and the Midnighters. The gym floor has a paper-mache Eiffel Tower in the center; students do the Tango around it.
As usual at school dances, there are teachers acting as chaperones, a busy refreshment table, and wallflowers on the sidelines. Marty is at the wheel, very uneasy. Eileen, next to him, looks beautiful in her best party dress.
Marty looks at the clock on the dashboard. It's funny, but somehow, I feel like George now glances at the clock in the gym. And with that, she throws herself on him, kissing him passionately, climbing all over him, putting his hands on her breasts! Marty is absolutely shocked! Eileen, her blouse partly undone and her bra exposed, continues her passionate assault of Martythen abruptly stops and pushes him away.
George runs down the hall to the front door! He throws it open and runs outonly to get his jacket caught on the door jamb! He tries like hell to get his jacket undone. It almost feels like I don't understand it, but I just know it's wrong. Behind Biff is his usual entourage. Biff shoves him roughly into the arms of Skinhead.
Marty struggles, but Skinhead and Match grab him and restrain him. BIFF Look at what we have here! BIFF Take him around back. I'll join you in a minute. This ain't no peepshow! They drag Marty away. Biff shuts the car door and tries to kiss her.
He sees the three guys dragging the kid he met the other day. George finally gets his jacket unhooked from the door jamb and hurries down the front steps and over to the parking lot. His eyes open wide upon seeing it. Through the windshield, we see arms and legs flailing about in a struggle!
We hear Eileen screaming! Gums and Match are holding Marty up against a wall, and Skinhead is about to throw a vicious punch. Skinhead winds up, but suddenly his fist is grabbed by a black hand! Skinhead turns around and finds himself facing Saxand the rest of the band! Skinhead throws a wide punch at SaxSax smashes him in the face! Marty escapes and runs back toward the parking lot. Now I'm gonna have to teach you a lesson!
Biff hits the groundout cold! Marty rushes toward the Packard. He is astonished to see George and Eileen embracing, and Biff out cold on the ground.
He keeps his distance, allowing George and Eileen to have their moment. Nearby are a few bystanders from the front of the school, discussing what they just saw. George and Eileen go up the front stairs. Marty, a safe distance away, watches.
She smiles. He smiles back. Marty returns to assess the damage. He smashed it on top of old Baldy. We can't play without Lester.
The dance isn't over yet! Marty sees this and smiles. Marty steps up to the mike. MARTY Well, I probably shouldn't do this, but what the hell, you're gonna be hearing a lot of this in the future anyway Marty turns the volume on the guitar amp all the way up, places his guitar against it and blasts the gym with electronic feedback a la Jimi Hendrix!
In moments, the band figures it out and joins in Its time hasn't come yet. If you play it, you might screw things up. It'll happen on its own. Now Marty comes running out and jumps into the cab. Professor Brown is wearing an Army Uniform. They danced, they kissed, they're in love! Let's go! I mean, he decked himlaid him out coldone punch. It must have been beautiful! I didn't know he had it in him!
Very curious. He takes the bottles of Coke out of his bag and shoves them in the jacket pockets. He checks out his appearance in the mirror.
Satisfied, he exits. Professor Brown pays him; Marty rejoins the Professor, they climb into the truck and depart. A dirt road leads to an intimidating looking gate guarded by M.
Well, Philco wants to find out what it does to their refrigerator. The motorcycle is because we don't want to find out what it does to us. Well, you better shake a leg. That bomb goes off in 55 minutes! Marty and the Professor exchange a look of relief, and they head out onto the nuclear test site! This is where the top brass and supervisory personnel are assembled to witness the atomic test. There is also an artillery battery with mm Howitzers, and a full communications base. Jesus Christ!
How many refrigerators do we have to blow up in this test? There are several tract houses here, a surrealistic suburban neighborhood, just as Mr. Arky described in Marty hops out of the truck and opens the garage door. Brown backs the truck in and shuts it down. There are a number of clocks and lots of equipment here.
Lock all timing circuits This is itGround Zero. Yardage markers are posted at yard intervals from the tower, up to yards, then a mile marker. There it is: Ground Zero. And your target is yards. Marty and the Professor each have a pair of field glasses, and they stand at one side of the house looking toward the target area. Behind them, we can see that the truck is all rigged up and ready to go. The Power Converter is mounted on the roof of the cab with the solar cell pointed straight along the forward axis of the truck.
Wait until minus 3 minutes before you gothat should give you plenty of time, and it should be close enough to zero hour that they can't do anything to stop you. Park the truck at and get in the refrithe time chamber. Just be sure the nose of the truck is pointed at the bomb Marty follows Professor Brown back into the garage. The motorcycle and side car have been unloaded, and the male mannequin who was mowing the lawn is the passenger. Brown hands Marty a walkie-talkie.
Marty steps outside, not wanting to look at him. Professor Brown hesitates, then asks a question. Professor Brown goes to the motorcycle. Now the Professor gets on the cycle, revs it up, and rides off. The mannequin looks like a real person.
This area is secure. Amazingly enough, it looks like a model homethere is furniture, magazines on the tables, a TV, a radio. Marty wanders through the house, chuckling at the idiocy of it all.
There is a Frigidaire refrigeratorMarty opens it and discovers it is well stocked with food, including meat, cheese, milk, eggs, Coke, fruit and vegetables. Marty takes an apple, has a bite, and returns to the living room. Marty turns on the TV. Marty watches Clarabell dancing around and shakes his head.
It is really quite beautiful. There will be an intense white fireball that will recede into a bright yellow glow, accompanied by an intense shock wave Professor Brown roars toward the gate on his motorcycle. The M. Brown waves back, never even slowing down. Marty is watching TV as he takes off his fatigues. Under them are his clothes. He checks the time on the walkie-talkie. Professor Brown speeds along a dirt road on his motorcycle, up a hill, into the mountains.
At a suitable point, he cuts off the road and parks at a break in the hills. He gets off his bike, raises his binoculars and gazes off in the distance. Have you put the formula in the Power Converter?
Marty is shocked! He checks the floor of the truck, under the seat Marty climbs into the back of the truck and looks around. Not there, either! Panic fills his eyes as he grabs the walkie-talkie. I can't find the formula!
I left it in my jacket, and my jacket's gone! Do you understand? It's over. Now I want you to get in the refrigthe time chamber, and we'll just pray that the lead lining Marty runs to the refrigerator and opens it. Sure enough, there are several bottles of Coke here! Marty is elated! There's plenty of formula in the refrigerator! Marty climbs up on the cab of the truck to the Power Converter.
Marty pours Coke into the Power Converter! Get your men on this artillery and blow that truck to Kingdom Come! Fire mission! Let's move! Marty looks behind him and shudders at how close that last one came!
Just ahead of him is the yard marker! Marty parks and checks the Army channel on his walkie-talkie. Marty is starting to climb into the back of the truck! Back up! Marty revs up the truck, shifts into reverse and floors it! The shock wave rocks the truck! Finally it starts! Marty heaves a sigh of relief, then aims for the crater, some yards away.
Marty jams his walkie-talkie against the accelerator and the truck lurches forward. He opens the door and climbs out of the moving truck! The truck barrels along toward the crater as Marty climbs into the back of the truck and throws the switches on the Time Machine!
Marty looks up as an intense white beam shoots down from the focusing lens above him! The yellow glow turns everything around it yellow! The tower is non-existant now, and the truck begins to melt before our eyes! The Army Officers, their men, and the civilian observers marvel at the incredible site before them! The mushroom cloud has formed, billowing thousands of feet into the air! Professor Brown turns his attention away from the mushroom cloud in the background, to the mannequin sitting in the sidecar.
He notices that there is a bulge in one of the pockets. He stares at it, thinking, wondering, trying to make up his mind A moment of quiet, then we notice a shifting of sand The door is partially melted, partially rotted, very worn down and aged. And now Marty climbs out of the refrigerator cavity! Of course, he looks the same as he did a moment ago. He looks at the remains of the refrigerator, and then notices the twisted metal hulk of the truck, half buried nearby.
Marty wanders around aimlessly for a bit, not sure which way to go. Now he becomes aware of low noisea noise coming from abovea noise like the rotors of a helicopter. The noise becomes steadily louderMarty looks up. Marty averts his eyes. On the rear deck of the craft is a Power Converter! Professor Brown hops out of the Aero-mobile. You're here! Right on time! How are you? Feeling okay?
BROWN ! March 18, just like we planned! My calculations were absolutely correct! Jennifer: Alright, c'mon, I think we're safe. Strickland: Doc? Am I to understand you're still hanging around with. Doctor Emmett Brown, McFly?
Tardy slip for you, Miss Parker. And one for. Now let me give you a. This so called Doctor Brown is. You hang around with him you're gonna. Strickland: You got a real attitude problem, McFly. You're a slacker.
You remind me of your father when he went here, he was a slacker too. Strickland: I noticed you band is on the roster for dance auditions. Why even bother Mcfly, you haven't got a chance,. No McFly ever amounted to anything in. Marty: Yeah, well history is gonna change. I'm afraid you're just too darn loud. Next, please. Where's the. Progress is his middle name. Marty: I'm too loud. I can't believe it. I'm never gonna get a chance to. Jennifer: Marty, one rejection isn't the end of the world.
Marty: Nah, I just don't think I'm cut out for music. Jennifer: But you're good, Marty, you're really good. And this audition. Robert Lee Zemeckis is an American film director, film producer, and screenwriter who is frequently credited as an innovator in visual effects. We're doing our best to make sure our content is useful, accurate and safe. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Forgot your password? Retrieve it. Sell your Screenplay ». Start writing now ». By Title. In Scripts. By Writer. Fox is thrown back into the '50s when an experiment by his eccentric scientist friend Doc Brown Christopher Lloyd goes awry.
Traveling through time in a modified DeLorean car, Marty encounters young versions of his parents Crispin Glover, Lea Thompson , and must make sure that they fall in love or he'll cease to exist.
Even more dauntingly, Marty has to return to his own time and save the life of Doc Brown. Genre: Adventure , Comedy , Sci-Fi. Director s : Robert Zemeckis. Actors: Michael J. Won 1 Oscar. IMDB: 8. Next ».
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